Someone asked me at some point whether I was planning on doing National Novel Writing Month this year. I hadn’t been. I’ve never done it before, and I had this whole reading/blogging project going on and a lot of catching up to do with that, so I didn’t really even think about it. But then, at approximately 3pm on November 1st, I realized that this year was different from past years when I have declined to participate in NaNoWriMo: This year, I had an idea.
This isn’t to say that I don’t normally have ideas. I have three distinct books bouncing around in me, all of which I care deeply about. But every time I sit down to work on them, I get a bit bogged down in details. I can’t go any further with this story until I pick a city for it to take place in and there isn’t a city that exists that is perfect so I guess I’m stuck. Or, This isn’t working from this point of view so I’ll put it on hold until I think of a better POV for it. Which, inevitably, results in these books being put on hold forever, because I want them to be perfect. And I don’t want to write these books without a detailed outline, either, because whenever an author of a book I’ve read discusses in an interview whether they used an outline or just “pantsed it,” I end up saying, yeah, I could tell. So I’ve got a bit more percolating left to do before I’m ready to write those.
This year, however, I had a new idea: An idea for a story I didn’t care about. A story that I could have a lot of fun with and not have to worry too much about whether it took place in the exact right city or which character should be the primary narrator, because as it turns out, I suck at that sort of big decision. This story, I could just sit down and puke out onto a screen and see what happens, and when I publish it, maybe do so under a pen name so that perception of my big three won’t be affected by this silly little story.
And it was a little crazy, and I went a little crazy. There was one night when I went into the basement and opened up some packages of magnetic poetry and organized them on a fridge by part of speech while singing Schoolhouse Rock songs under my breath. There was a vacation to Florida halfway through, which I thought would make finishing much more difficult than it did–as it turned out, the time that my computer freaked out and reverted to a version of the document from 5,000 words ago was much more of a hiccup.
And I won! Over 50,000 words in a month. I took a total of 8 days off (actually, that’s a lie–more like 6 or 7 because one of the days that I’m counting as ‘off’ is a day that my computer just lost my progress for so I might as well have taken it off). I learned that I have a lot more time to write than I previously thought, but a lot less than I was taking during November, and it’s nice to eat real food and get real sleep again. I learned that on a day off, I have no problem writing about 4,000 words if I have a sense of where I’m going with the story.
So, the question I’m left with is: Why do I suck so much at blogging? I clearly have time for it.
And the only answer I can think of is: When I have free time that I want to dedicate to my reading project, I use it to read. And when I’m not using it to read, it’s probably at least in part that about 80% of my life revolves around books right now. I work at a little bookstore, so I spend 8 hours a day playing with books, talking about books, touching books, et cetera. I leave 15 to 30 minutes early so I have time to read and relax before the day starts, and I go on my lunch break and read, and I go home at the end of the day and read, and I curl up in bed and read myself to sleep. In between, I go on Facebook to check updates from pages such as Book Riot and I Have More Books than Friends and NPR Books and other book-related pages for those of us who are completely obsessed. And then, sometimes, I try to write books. Don’t get me wrong: I do other things. I like to cook and I have a number of TV shows that I thoroughly enjoy watching. But for the most part, it’s all about books.
(If you’re reading this thinking, Wow, you must be so much fun at parties! allow me to stop you. I’m not. There used to be an inner Rachael who was good at parties who I would let come out sometimes, but I discovered when I tried to call upon her last night that she’s dead. I specifically selected my fancy-dress purse because it can comfortably hold a trade paperback (or squeeze in a smallish hardcover). Small, quiet gatherings of good friends are great, but large gatherings with lots of noise result in me lamenting the fact that while it’s perfectly socially acceptable to pull out your phone and stare at it in the middle of a shindig, it’s still frowned upon to pull out a book and read. However, the Rachael who cares that it’s frowned upon is, likewise, dead.)
The point that I’m trying to make is that it’s no surprise that when I’m on the computer, once I’m all caught up on the book-related news I get via Facebook, my first instinct isn’t necessarily to run over here and write about books. However, I made a commitment to blog about 50 books this year, and I’m right on track reading them—halfway through number 47—but have only blogged up to number 26, so here I am with a sort of quick and very dirty update of the next, oh, let’s say 14 books on my list, giving me ten left afterward. Here goes.
Book 27: Gone Girl by Gillian Flynn
I picked up Gone Girl before I got my job at a bookstore, but long after I had begun hoping to get a job at said bookstore, and I figured, everyone I know seems to have read this book. Maybe I should read it for, you know, product knowledge. And then one day when I was away with my mom for a weekend, I finished a book (Miss Peregrine’s Home for Peculiar Children) and asked my mom which of the three books I brought with me I should read next. She selected Gone Girl because she’d read it and we could talk. I finished it over the course of the weekend, and I absolutely loved it, but it wasn’t until much later that I realized that I loved it because I read it wrong. “How did you read it wrong?” you’re asking, confused, and I understand your confusion. It’s a book! You read it! Yes, I know, and here’s what happened: I read Gone Girl and thought it was absolutely hilarious. The same thing happened when I went to see the movie. All the big dramatic moments, everyone is creeped out, and I’m sitting there laughing hysterically. And if you’re reading this thinking that I’m some kind of psychopath, well, I have no way of proving that you’re wrong.
Book 28: Deus Irae by Philip K. Dick and Roger Zelazny
Okay, I mean, just look at the authors. Philip K. Dick, author of the book that inspired pretty much every good science fiction movie ever made, and Roger Zelazny, one of Neil Gaiman’s biggest influences and author of the Chronicles of Amber, one of my favorite series. There was no chance that this would be bad. In a post-apocalyptic wasteland of a world, the man who pulled the trigger on doomsday has been elevated to the status of a god—specifically, the God of Wrath. Christianity has been reduced to this small fringe group, scrambling to survive. One of the greatest painters among the worshippers of the Deus Irae has been commissioned to do a portrait for their church of the God of Wrath, but he only paints from life, so he must go on a pilgrimage (“pilg”) to find his god. One of the things I love about science fiction and fantasy is that it can handle real world issues in a way that doesn’t feel too heavy-handed, and this book handles the themes of art and religion (and each one’s role in the other) perfectly.
Book 29: The Diamond Age by Neal Stephenson
Holy crap, guys. This book. Everyone talks about Snow Crash when they talk about Neal Stephenson, but they’re talking about the wrong book. Not that I didn’t love Snow Crash. I did. But The Diamond Age: Or, A Young Lady’s Illustrated Primer blew my mind. It’s fairly difficult to describe. There’s a rich influential dude in an neo-Victorian society who thinks that children, young girls especially, are learning mostly useless stuff and should be taught how instead how to think and how and when to be subversive, so he commissions a book-like device for his granddaughter. It gets stolen and ends up in the hands of a girl who lives just outside of the neo-Victorian city who is poor, whose brother is a thief, whose mother is a drug addict and possibly prostitute with a string of horrible boyfriends. The Diamond Age tells the story of this girl, her life (from her mother’s pregnancy to age 17), and how that book in her hands ends up influencing the entire world. I can’t recommend it highly enough. It blew my mind.
Book 30: The Thinking Woman’s Guide to Real Magic by Emily Croy Barker
After two fairly heavy science fiction books in a row, I was ready for some literary cleansing. It’s necessary, once in a while, after reading a whole lot of intense books that involve a whole lot of thought, to cleanse your palate with a few lighter, fluffier reads. So I came across The Thinking Woman’s Guide to Real Magic. A great work of feminist literature this is not. It starts with PhD student Nora, struggling with her thesis, recently dumped by her long-term boyfriend, going to a wedding and moping about being single and wanting to find a man. But she takes a walk in the woods to clear her mind, only bringing with her a copy of Pride and Prejudice, and finds herself in an alternate reality where magic and fairies rule. She’s immediately swept up in the glamor of the fairy lifestyle, and at first, seems to have found the happy ending she wanted, but something’s wrong. She eventually makes her way to freedom with the help of a local wizard, but seems to be stuck in this world. We follow Nora as she finds her place in this new world where women can’t be scholars or do magic. It’s clearly meant to mirror the plot of Pride and Prejudice—there’s even a red-headed suitor—but we don’t get the whole story in this book, and the author’s sort of teased a sequel though I’ve heard no official announcements as of yet. I, for one, can’t wait for it—this was the perfect fun, light read, a little magical adventure for when your brain is sort of tired. However, no matter what anyone tells you, don’t go into it expecting Harry Potter. And if you’re really looking for a sf/fantasy book about a thinking woman, go back one and read The Diamond Age.
Books 31, 33, 35, 37, 42, and 45: The Secrets of the Immortal Nicholas Flamel series by Michael Scott
This YA series about a pair of 15 year old twins who suddenly find that their world isn’t what they thought, but instead a world filled with magic and secret pathways to other worlds and mythological creatures and gods and goddesses and even historical figures who were supposed to be dead but, surprise, are immortal, was recommended to me by a friend. She told me it was just like Harry Potter. Guys, you’ve heard this rant before, so I’m not going to repeat it, but suffice to say that while I was reading book 1 of this series, I was writing my post about Skin Game, and the feelings that I had about that book may or may not have leeched into that post. That being said, this was a super fun series to read. I almost stopped after the first book. There were so many gaping plot holes that I couldn’t go on. But I did pick up the second one, and quickly found that the author answered many of the questions I had in there. By the end of the series, most (but not quite all) of the holes had been filled in. There were a few little details that bugged me, like when a character freezes a big chunk of ice around something and it immediately sinks in the water under the weight—if you can’t get past that sort of thing, don’t read this series. But it did have some really great points, and I was excited to pass it on to my 12 year old stepsister who I think will absolutely love it in part because of those points. My absolute favorite part of this series was that there’s no clear right or wrong throughout the whole thing. At the beginning, it seems very good guy/bad guy, hey twins, choose the right side which by the way is super obvious to anyone paying attention, but as it goes on, you learn about some of the not so great stuff the “good” guys have done in their lives, and the “bad” guys become more developed and you learn their histories and reasons for everything. And in life, things aren’t black and white, so I think it’s weird that in YA lit, things so often are. I love that this series gives kids heroes to look up to who have to make tough decisions about what they think is the right thing to do, rather than just whether they will be able to do it. That was wonderful. I also loved the multiculturalism. Every old god exists and they all know each other. Niccolo Machiavelli and Billy the Kid team up. An old Celtic goddess and Joan of Arc are BFFs and, hey, they all know Shakespeare pretty well. (Okay, yeah, I rolled my eyes a bit when Shakespeare turned up.) It was a really fun series to read, though if I’d tried to read it all in a row I probably would have gotten sick of it. I feel like the target audience for these is ages 10ish to 15ish, and in that age range I highly recommend it. For anyone older, I still recommend these, perhaps not quite as highly, as long as you’re able to overlook little details that don’t quite make sense.
Books 32, 34, and 36: The MaddAddam series by Margaret Atwood
Have you ever picked up a new book, read the first paragraph, put the book back down because that first paragraph was so good and so, well, beautiful that you want to have a blank slate and experience it for the first time again, read it again, put it down again, read it again, then read it out loud to your cat because it was just that good? Yeah, Oryx and Crake, the first book in the MaddAddam series (which, by the way, is the first series I’ve ever seen that’s named after the last book in the series), is that good. And, spoiler alert (is it a spoiler if it’s the first paragraph?)—that paragraph is about a homeless man waking up on the beach and rummaging through some trash to find some food or alcohol. I don’t know how she did it, but that was one of the most beautiful paragraphs I’ve read in a very long time. I feel like, with this trilogy, Margaret Atwood read a bunch of the post-apocalyptic dystopian trilogies that are out there, and said, “Ugh. Guys, please. Let me show you how to do this.” The entire series blew my mind. I don’t want to tell you anything about it because it will be spoilers and I don’t want you going into it with expectations. Just read it. Please. All of you. It’s that good.
Book 38: Turn of Mind by Alice LaPlante
And now for something completely different: A murder mystery! Not my usual thing, unless of course J. K. Rowling wrote it under a pen name, but when fall rolled around I wanted a murder mystery. But I’m picky. I can’t just pick up any mass market someone else writing as James Patterson book. I don’t think there’s anything wrong with picking up a random not-actually-James Patterson book, but they’re not my thing. So I asked my boss what there might be in the mystery section that would appease both my desire for a whodunit and my desire for something more literary to balance my fun YA series out, she found this. Turn of Mind is told from the point of view of the primary suspect in a murder investigation, the victim’s best friend. The reason she’s the prime suspect is that she’s a retired orthopedic surgeon who specialized in hands and the victim’s fingers were all cut off with surgical precision. And the reason they’ve had such a hard time proving or disproving this suspect’s involvement is that she has Alzheimer’s. This book does an amazing job pulling the reader into the mind of a confused older woman who occasionally knows what’s going on, but is sometimes somewhere else in her mind, as the police question her and investigate her friend’s death. It was terrifying to read, and incredibly sad, but also amazing and beautiful and poetic.
Ten books left! And I still need to read three and a half of them, so it’s time for me to get back to reading. Or possibly make dinner. One of those things. So I’ll be back, and soon, like, this month, I promise, with the next five, starting with more Murakami. Hooray!